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Issue: 652   Date: 02/20/2003

The Calligraphy of Dr. Fu Shen

Perfect Couple: Crossing Boards, Fu Shen and Victoria Lu




Dr. Fu currently serves on the faculty of the Graduate Institute of Art History at the National Taiwan University. Dr. Fu received his Ph.D. from Princeton University, and has held distinguished posts in the world of art, from Senior curator of Chinese Art at the Sackler and Freer Galleries at the Smithsonian Institute, to being an associate professor at Yale University. In addition, Dr. Fu has written numerous scholarly works concerning the history and connoisseurship of Chinese painting and Chinese calligraphy. 




A delicate line. A graceful curve. A bold stroke. All these elements together create worlds of meaning; not mere words, but a unity of artistic form and poetic function. Chinese literati have excelled at creating works of word in art since brush first met paper centuries ago. Continuing in this calligraphic tradition, Dr. Shen Fu creates new worlds of beauty and meaning with his exquisite calligraphy.

Chinese calligraphy requires only a few elements: Ink, brushes, paper, and the keen eye of the artist. Typically, Chinese ink is made from ground charcoal, pressed and bound together with natural adhesives. This ink is then ground on an ink stone with the addition of water. More or less water can be used to create gradations ranging from jet black to the thinnest of grey hues. Pointed brushes come in numerous sizes, varying from a fraction of an inch thin to six inches thick. Paper ranges from the thinnest, translucent grade to thicker, absorbent sheets, which are then carefully mounted on scrolls. Calligraphers train for many years, often learning this art from early childhood, developing techniques and sensibilities that will last a lifetime.

A calligrapher will choose the right brush, the right ink consistency, and the right paper to fit the right mood. In addition, the artist will choose from one of the five types of calligraphic styles: Seal, Clerical, Standard, Running, and Cursive. The artist will choose a style that best fits what the artist is trying to communicate about the subject and mood in each work. 


                              











                           














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